Direzioni Coraggiose - Brave Paths

Abstract

In order to renew the subversive gesture of the first writers (such as Zephyr, Lee, Taki 109,  Dondi )  it is crucial to develop the one’s practice within a constructive discourse of the common (Pani et al., 2008). Sometimes it becomes essential to intervene, to redevelop and to implement decorating paths in places where the old modules have evidently failed.

Since street art has been legally recognized, the artist-spectator relationship has become more intimate; direct, free from filters and rules imposed by society and the dominant cultures (Galal, 2009), also this can represented a great change.